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About Bill from the UK: I love Mariah more than you do.

London Daydream Tour Attendee.

Lip syncing (111,270) by Bill from the UK
And the OGs.
(Wednesday 17 September 2025; 17:46)
this is a reply to message 111,263
10 days (111,234) by Bill from the UK
Just 10 days until we finally get to hear new music. I don't know why but I am more excited for this album that I was for Caution and Me I Am Mariah. Something just feels different with this project. I hope there's some great moments on there.
(Tuesday 16 September 2025; 14:42)
Here for it all (111,196) by Bill from the UK
Eh. A bit disappointed this much hyped track contains profanity. It's so low rent and, as you say, no need for it. That's put a bit of a dampener on it for me sadly.

I hope she isn't telling our good Lord above to "GTFO" on Jesus I Do.
(Monday 15 September 2025; 10:16)
this is a reply to message 111,186
Mariah in Brazil (111,195) by Bill from the UK
Shame to read this, but this has been Mariah's standard for a long time (except the concert in the UK, not sure what happened there or why she suddenly was "Mariah" again).

The bad press and reviews will all come to a stop if she simply lets everybody know what the problem is. Medication? Fine. A bad back? Fine. An auto-immune disease? Fine. Everyone loves her and no one would think of her any differently, in fact, people like me would shut up and let her get on with it, as right now she just comes across as doing the bare minimum and in it for the money (which may also be the case).

But, I know Mariah, and I know she has been dealing with something that started showing as early as the E=MC2 days, but has got progressively worse and worse, to the point where it is up there in neon flashing lights and still we sit here blaming it on high heels and nerves and nodules.
(Monday 15 September 2025; 10:12)
this is a reply to message 111,184
I'll be listening before hearing other people's opinions (111,192) by Bill from the UK
Here's my version of MIAM that I playlisted, rather than the actual album:

1. Make It Look Good
2. Beautiful
3. You Don't Know What to Do
4. You're Mine (Eternal)
5. Cry.
6. Faded
7. Dedicated
8. Almost Home
9. Mesmerised*
10. Triumphant (Get 'Em)
11. The Art of Letting Go

*I know it's not strictly from the era, but I think it fits. I trimmed all the filler and weak tracks out, especially One More Try and Heavenly, as they are so Frankensteined they don't even sound like her.
(Monday 15 September 2025; 09:59)
this is a reply to message 111,181
Here For It All streaming party countdown (111,176) by Bill from the UK
Yeh I was going to say the same. It was released on VHS at the time, and then later on DVD, then digitally. It's never really been out of circulation. The bootlegged concert was the Music Box tour, which to this day hasn't been released.
(Sunday 14 September 2025; 11:33)
this is a reply to message 111,173
Here For It All streaming party countdown (111,157) by Bill from the UK
I don't think anyone was disputing that sweetheart, it was a misunderstanding.
(Saturday 13 September 2025; 11:06)
this is a reply to message 111,156
Here For It All (111,135) by Bill from the UK
Eddie how can you resist? I will be up at 00:00:01 on 26 September to listen to the album. It's been too long since we had new material. I can't wait to read everybody's thoughts on the album, the board will be abuzz I am sure. I'm highly anticipating "Jesus I Do", and the cover of "My Love".

Question: do y'all listen to a new MC album in order, even playing tracks familiar (T-Dang and Sugar Sweet) or go straight to those tracks you want to hear first?
(Friday 12 September 2025; 17:34)
this is a reply to message 111,132
Here For It All streaming party countdown (111,134) by Bill from the UK
He was talking about consecutive number ones, not initial number ones. Mariah holds/held the record with her first five singles making #1. Whitney holds/held the record by having seven singles in succession reached #1. Both incredibly talented and accomplished singers, who were very good friends with each other. Let's not pit them against each other.
(Friday 12 September 2025; 17:32)
this is a reply to message 111,130
JD interview on The Breakfast Club (111,112) by Bill from the UK
Thank you for the summary. If I remember correctly, the Cream sample was originally intended for Always Be My Baby. Surprised it didn't then find its way onto the remixes JD did.

As for TGIFY, I don't think anyone really dislikes it, more that amongst her number ones it's considered one of the more formulaic and basic numbers. The Make It Last remix far eclipses the original. I also felt there were too many voices on the song and it would have been better as just a duet between MC and Joe, it didn't really need 98 Degrees.
(Thursday 11 September 2025; 17:06)
this is a reply to message 111,106
VMAs (111,038) by Bill from the UK
The outfit was not great, but the speech was brilliant. I was praying we weren't going to get some drunken rambling like we did when she won her award for Precious or when she was inducted into the SHOF, but glad to see she was coherent, well rehearsed, engaging and funny. Her relationship with Ariana is really so nice to see. Sort of like how Patti and Aretha revered and supported Mariah when she was Ari's age.

As for the performance, it sort of is what it is at this point. No movement, badly lipped, but somewhat entertaining. The crowd loved it so I suppose that's what counts.

I loved her plug for the album and that melodic "two weeeeks" line. We are all so excited to hear new music from her. I never wish my days away but I am beyond excited to hear the album, especially Jesus I Do.
(Monday 8 September 2025; 21:06)
this is a reply to message 111,024
Daydream (110,990) by Bill from the UK
Hmmm. I'm not sure if One Night was originally planned to go on the album, as during The Rarities Mariah indicated she had completely forgotten about the song and it was never even titled (it was called "I don't know") until she was assembling the compilation. That indicates it never made it out of the sessions. Whether that was a Mariah or Tommy decision we don't know as she's never spoken on the song that much. Not everything is Tommy's fault.
(Sunday 7 September 2025; 15:44)
this is a reply to message 110,986
Daydream (110,984) by Bill from the UK
So the fate of "Can't Let Go" was tied to the Emotions album. It wasn't performing as they expected (the debut went to number 1 so a tough act to follow), so in order to boost sales of the album, the physical single release of CLG was shelved in the US. The logic was that anyone that was going to buy the single would go and buy the album instead. That didn't happen and annoying Mariah missed out of what would have been her 6th consecutive number 1.
(Sunday 7 September 2025; 07:58)
this is a reply to message 110,976
Daydream (110,969) by Bill from the UK
I agree, the intro to One Night is as good as any of her other iconic intros, but then it just sounds like one big mess beyond that point with really immature lyrics etc. It would have really thrown the album off kilter. I would have maybe kept the intro only as an interlude to "Side 2", but the rest of the song can go spin for all I care. Daydream really is a masterstroke from beginning to end.
(Saturday 6 September 2025; 11:02)
this is a reply to message 110,966
Daydream (110,955) by Bill from the UK
"Open Arms" is indeed stunning and breath taking in its simplicity and understated beauty. I love the way she made it sound so "Mariah", in that it went from this 80s rock power ballad anthem to a gorgeous moving restrained ballad.

"Slipping Away" is an amazing song, I don't think any will disagree, but I always loved its underground status it had. I agree I'm not sure it would have fitted in with the other tracks on Daydream. As for "One Night", a hard no and a hard pass from me. I was a bit shocked that was a Daydream outtake as it seemed more "E=MC2" to me. Adding it to the album would have detracted from its sophistication in my view.
(Friday 5 September 2025; 10:06)
this is a reply to message 110,953
Kai Cenat's stream (110,949) by Bill from the UK
I couldn't watch it because it was so infuriatingly bad. Mariah looked great and I'm sure she represented herself well, but I'm guess I'm out of touch as the host was incoherent and an absolute unprofessional mess as was the others that materialised. I gave up after the Heartbreaker acapella when not one of them knew the word "incessantly". An absolute car crash and way below the standard Mariah should be at.
(Friday 5 September 2025; 00:23)
this is a reply to message 110,927
Penny Ford - I lose control (110,918) by Bill from the UK
I Lose Control is amazing and a long time ago an "AI" edit was floating, but it got embargoed to the point that people thought it was actually Mariah's demo, as it included high notes and ad libs not in the Penny version. It sounded incredible and every day I curse myself for not downloading a copy when I had the chance.

It was originally intended as Mariah's launch single, according to rumours. Everyone loved it but Mariah couldn't stand it, saying it was "stupid" and a "cheesy little uptempo ditty that I hated so much". This is why I think she never worked with NMW again, as she also didn't enjoy the "I Don't Wanna Cry" experience either, saying she wouldn't have titled the song that and that it went in a different direction to what she envisaged (more "Careless Whisper" vibe originally).

In the liner notes for the debut album, she thanks her then-manager Don Ienner "for not making me 'lose control'". Apparently he was the only one who had her back around not including the song on the album at all, let alone it being the lead single, and advocated with Mariah for "Vision of Love" instead.

Walden had reached out to Carey saying he still had the master tape for if she wanted to include it on The Rarities, but she never got back to him.

I wonder how differently things would have panned out? A one hit wonder? A no hit wonder? The mind boggles.
(Wednesday 3 September 2025; 17:52)
this is a reply to message 110,907
Super Bowl (110,858) by Bill from the UK
Top of the Pops had a long period where artists lip synced purely I believe for technical reasons. There was then a period when TOTP insisted everybody perform live. I assume the studio was moved to one that could better accommodate that. It was during the peak of Euro Pop so it was hilarious seeing the club singers trying to recreate their songs live, some I remember being terrible. And then it was an "either or" situation, throughout the late 90s, then almost everyone lipped after that point.
(Sunday 31 August 2025; 16:33)
this is a reply to message 110,853
Super Bowl (110,852) by Bill from the UK
Oh.
(Sunday 31 August 2025; 15:13)
this is a reply to message 110,848
Favorite ballads list while we wait (110,851) by Bill from the UK
I'll limit this to two per album:

Vision of Love
Vanishing
And You Don't Remember
Till the End of Time
Anytime You Need a Friend
Everything Fades Away
O Holy Night
Miss You Most (at Christmas Time)
Open Arms
Looking In
My All
Whenever You Call
After Tonight
Petals

That'll do for now. Keeping it to the OG Sony run.
(Sunday 31 August 2025; 14:58)
this is a reply to message 110,834
Super Bowl (110,849) by Bill from the UK
Mariah started lip syncing in 1994, towards the end of the year. The first I can remember is Without You at a Christmas special of Top of the Pops, then it was just downhill from that point on.
(Sunday 31 August 2025; 14:53)
this is a reply to message 110,840
Super Bowl (110,848) by Bill from the UK
ODB passed away in 2004 sweetheart.

[Webmaster: They were fantasizing about Mariah performing at the SuperBowl in 1996. ODB was still alive.]
(Sunday 31 August 2025; 14:50)
this is a reply to message 110,846
MC the GOAT (110,797) by Bill from the UK
I think we all agree Mariah deserved some acknowledgement that night, due to it being the pinnacle of her career. But there's no point us still being bitter about a 30 year old event and still blaming Tommy, who had nothing to do with how that night unfolded. All it did was make Mariah realise she didn't need him.

Mariah was still supported massively by Sony during the separation and after the divorce. I mean look at the budget the Heartbreaker video had. The videos, the tours, the non-stop global promotion. The issue was Mariah moved away from the adult contemporary audience that she curated during the beginning of her career, so her sales dipped, and she blamed the label (like Michael Jackson did). Rainbow was not Daydream. Invincible was not Thriller.
(Friday 29 August 2025; 08:17)
this is a reply to message 110,788
MC the GOAT (110,776) by Bill from the UK
That's nonsense. Show me the evidence Tommy infiltrated the Grammys to sabotage his then-wife and biggest label asset. That's right, there isn't any. In fact, both Tommy and Mariah were furious as Tommy had assured her she would clean up, to the extent he arranged for her to wear a different dress/outfit for when she collected each award. Mariah was shunned because 1) the competition was genuinely tough that year and 2) the industry felt Mariah got a lot of special treatment and wanted to prove Tommy couldn't always get what he wanted. It worked both ways; after she left Sony he used all his influence to derail her career. Whilst at Sony he did everything he could to make her a success.
(Thursday 28 August 2025; 17:18)
this is a reply to message 110,755
I Don't (110,702) by Bill from the UK
Whilst I agree the video for I Don't is hideous, the song itself I never minded that much. In fact, it could easily have been sequenced into Caution, along with Unforgettable. It would have helped beef the album out a bit and sonically both those tracks work with the other songs in my opinion.

Much how I would rather have had Almost Home and Triumphant replace the two cut and paste duets on Me I Am Mariah But Also Mimi The Elusive Chanteuse Which Is What Everybody Calls Me Honest.
(Monday 25 August 2025; 15:41)

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