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Updates? (114,548) by Gareth Ramsay from United Kingdom Hi, I'm new here but have watched MC Archives over the years. Are there any updates planned for Mariah's albums after Playlist? Why do the archives end there? Also, how do I add collections not already listed? (Friday 11 September 2026; 02:18)

Clown vs. Obsessed (114,547) by T from USA The difference is Clown let him continue the beef while Obsessed shut it down. (Thursday 10 September 2026; 18:43) this is a reply to message 114,532

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

AI (114,546) by Webmaster Eric from the Netherlands I'm starting to use AI for photo enhancement and it is fantastic. Just look at this photo of Mariah and her mom and see the enhanced version AI made. Just wow. (Thursday 10 September 2026; 10:44)

Choosin' Texas No.1 for 21 weeks (114,545) by Bobby A from United States There was shift that took place in country music this year with Ella Langley, Zach Top, Riley Green, Koe Wetzel, and Bailey Zimmerman, George Birge and others singing more relatelable classic sounding country songs. Step into any Austin or Nashville bar and you will hear the crowds singing their songs. Their songs take you back to the classic country music of the 70s and 80s. What are we going to do if Ella is at 30 weeks by November 1st? AIWFCIY may have some serious compettion from Ella this year. (Wednesday 9 September 2026; 22:16) this is a reply to message 114,544

Choosin' Texas No.1 for 21 weeks (114,544) by MusicfanJ from Germany I didn't know the song. I went to YouTube and listened to it. I like it. A relaxed song with no cheap lyrics. I even enjoyed the video. Is is a wow song? No. But compared to all the latest garbage on the charts it's a wonderful, nice song that gives you a good mood while listening. This woman and Olivia Dean makes me hopeful that the time of only vulgar music and videos in the charts are over or at least are not the only way to get a hit nowadays. (Wednesday 9 September 2026; 20:24)

Choosin' Texas No.1 for 21 weeks (114,544) by MusicfanJ from Germany I didn't know the song. I went to YouTube and listened to it. I like it. A relaxed song with no cheap lyrics. I even enjoyed the video. Is is a wow song? No. But compared to all the latest garbage on the charts it's a wonderful, nice song that gives you a good mood while listening. This woman and Olivia Dean makes me hopeful that the time of only vulgar music and videos in the charts are over or at least are not the only way to get a hit nowadays. (Wednesday 9 September 2026; 20:24) this is a reply to message 114,543

Choosin' Texas No.1 for 21 weeks (114,543) by Zachariah from Croatia I can't say I'm terribly surprised that Choosin' Texas is sitting at number one in week 21. The U.S. isn't exactly famous for subtlety or sophisticated storytelling. Throw in a cowboy, a pickup truck, a country song, a doomed-but-passionate love story, a few rednecks and enough "y'all" to go around, and you've pretty much got the winning formula. This is basically a prequel of country We Belong Together, or in country vocabulary, it's like that y'all. Just imagine Mariah and Eric Roberts getting married in a barn and a pick-up truck pulls outside and you can see Mariah pulling her wedding dress and running in her country high heel boots with yee-haw whistle note. (Wednesday 9 September 2026; 18:02)

Choosin' Texas No.1 for 21 weeks (114,543) by Zachariah from Croatia I can't say I'm terribly surprised that Choosin' Texas is sitting at number one in week 21. The U.S. isn't exactly famous for subtlety or sophisticated storytelling. Throw in a cowboy, a pickup truck, a country song, a doomed-but-passionate love story, a few rednecks and enough "y'all" to go around, and you've pretty much got the winning formula. This is basically a prequel of country We Belong Together, or in country vocabulary, it's like that y'all. Just imagine Mariah and Eric Roberts getting married in a barn and a pick-up truck pulls outside and you can see Mariah pulling her wedding dress and running in her country high heel boots with yee-haw whistle note. (Wednesday 9 September 2026; 18:02) this is a reply to message 114,542

Choosin' Texas No.1 for 21 weeks (114,542) by Lainsky from Philippines Just saying... and I am a little annoyed. Although I like the song, however, does it deserve to be on top for that long? And why? How are they doing it, or what are they counting to keep the song on top that long? And are we still confident AIWFCIY will be No.1 this year? Here in the Philippines, I've been hearing Mariah's Merry Christmas album playing on rotation in SM North and Ayala Trinoma Mall. (Wednesday 9 September 2026; 06:49)

Choosin' Texas No.1 for 21 weeks (114,542) by Lainsky from Philippines Just saying... and I am a little annoyed. Although I like the song, however, does it deserve to be on top for that long? And why? How are they doing it, or what are they counting to keep the song on top that long? And are we still confident AIWFCIY will be No.1 this year? Here in the Philippines, I've been hearing Mariah's Merry Christmas album playing on rotation in SM North and Ayala Trinoma Mall. (Wednesday 9 September 2026; 06:49)

Clown vs. Obsessed (114,541) by Lainsky from Philippines Honestly, I stopped paying attention to her songs that are never released as singles after Glitter. I simply chose to enjoy her music. So, kudos to that analysis. I prefer "Clown" to "Obsessed", though. (Wednesday 9 September 2026; 06:38) this is a reply to message 114,532

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

Clown vs. Obsessed (114,539) by Bobby A from United States I love the production of Andre Harris and Vidal Davis professionally known as Dre and Vidal. MC's humming at the beginning of Clown made the dynamic duo give her a different variation of their normal sound that we hear in Lulluaby. (Tuesday 8 September 2026; 21:56) this is a reply to message 114,537

Clown vs. Obsessed (114,537) by MusicfanJ from Germany What a great post. I enjoyed it a lot. Your thoughts are one point and very interesting. I also prefer "Clown". It's way more intelligent and playful. "Clown" is a favourite from Charmi. (Tuesday 8 September 2026; 14:33)

Clown vs. Obsessed (114,538) by karel from belgie "Clown" is for me, together with "Bringin' on the heartbreak" and "Boy (I need you)" the best songs on Charmbracelet. The guilty pleasure is "You got me". (Tuesday 8 September 2026; 20:55) this is a reply to message 114,537

Clown vs. Obsessed (114,537) by MusicfanJ from Germany What a great post. I enjoyed it a lot. Your thoughts are one point and very interesting. I also prefer "Clown". It's way more intelligent and playful. "Clown" is a favourite from Charmi. (Tuesday 8 September 2026; 14:33)

Clown vs. Obsessed (114,537) by MusicfanJ from Germany What a great post. I enjoyed it a lot. Your thoughts are one point and very interesting. I also prefer "Clown". It's way more intelligent and playful. "Clown" is a favourite from Charmi. (Tuesday 8 September 2026; 14:33) this is a reply to message 114,532

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

New music (114,536) by MusicfanJ from Germany Absolutely. Plus she was always a pop genius. I wonder how long it will take with the release of "SUD". So many people would be surprised in a positive way. And the fans would love it for sure. Daydream Mariah with grunge, you must love it. (Tuesday 8 September 2026; 14:26) this is a reply to message 114,530

New music (114,530) by karel from belgie I think Mariah needs to move away from the predictable, slow R&B sound. Some of her best tracks have always been the house and techno remixes, so why keep those styles limited to remixes? Why not make them the main versions of the songs? I'm currently listening to We Found Love by Rihanna and Calvin Harris, and honestly, I think Mariah could still pull off that kind of uplifting dance music. Her voice would work beautifully with that style. It also reminds me of Now That I Know from Music Box. That song was such a breath of fresh air and showed a different, more playful side of her artistry. And yes, I'm absolutely in favor of her finally releasing Someone's Ugly Daughter. That's the Mariah I miss: creative, adventurous, and willing to take risks. It's a shame she didn't release it alongside the Daydream anniversary celebrations. Imagine getting it as part of a Daydream 31 edition. Now that would have been something special. (Monday 7 September 2026; 22:49)

New music (114,535) by Lainsky from Philippines While I was reading your message, I listened to "Bring Your Love" by Madonna featuring Sabrina. I agree that Mariah can definitely create this type of music, as evidenced by her amazing remixes, which could lead to a great original version. This is another idea I hope she considers. I'm a huge fan of "Now That I Know", and I wish they had released it commercially back then. It also reminds me of "YDWTD", which I enjoy as well. Let's hope Mariah releases something new for all of us, rather than the same old sound. This could be her opportunity to reinvent her music. (Tuesday 8 September 2026; 06:07) this is a reply to message 114,530

New music (114,530) by karel from belgie I think Mariah needs to move away from the predictable, slow R&B sound. Some of her best tracks have always been the house and techno remixes, so why keep those styles limited to remixes? Why not make them the main versions of the songs? I'm currently listening to We Found Love by Rihanna and Calvin Harris, and honestly, I think Mariah could still pull off that kind of uplifting dance music. Her voice would work beautifully with that style. It also reminds me of Now That I Know from Music Box. That song was such a breath of fresh air and showed a different, more playful side of her artistry. And yes, I'm absolutely in favor of her finally releasing Someone's Ugly Daughter. That's the Mariah I miss: creative, adventurous, and willing to take risks. It's a shame she didn't release it alongside the Daydream anniversary celebrations. Imagine getting it as part of a Daydream 31 edition. Now that would have been something special. (Monday 7 September 2026; 22:49)

Clown vs. Obsessed (114,534) by Xavier mariohmix from Spain Wow. Brilliant analysis. I've always loved Clown. It's a stand-out on Charmbracelet. (Tuesday 8 September 2026; 02:43) this is a reply to message 114,532

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

Clown vs. Obsessed (114,533) by Bobby A from United States I think The-Dream suggested that MC go hard at Eminem. Lol. (Tuesday 8 September 2026; 02:05) this is a reply to message 114,532

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

Clown vs. Obsessed (114,532) by karel from belgie Clown and Obsessed may both deal with a man whom Mariah believes has an inflated sense of himself and uses her name for attention, but the way she approaches that subject in each song is completely different. In Clown, she takes a more psychological approach. Rather than launching a direct attack, she tries to understand why this person behaves the way he does, suggesting that his arrogance is really a cover for insecurity. The title itself is telling. She doesn't portray him as an enemy, but as a clown, someone who ultimately makes a fool of himself. One of the things I love about the song is how she exposes him without ever sounding bitter or vindictive. She paints a picture of someone trying hard to appear important and intimidating, while making it clear that she sees right through the act. As a result, the song feels mature, intelligent, and quietly devastating. She doesn't sound angry. She sounds disappointed and mildly amused, which makes the criticism hit even harder. Obsessed, on the other hand, takes the exact opposite approach. The entire song revolves around the idea that this person is supposedly obsessed with her. The hook repeats that message over and over, and the mockery is much more obvious. Where Clown allows the listener to draw their own conclusions, Obsessed practically spells everything out for them. Musically, the contrast is just as striking. Clown is built around a smooth, understated R&B production that leaves plenty of room for the lyrics and the vocals. The focus is on what she's saying. Obsessed shifts the attention toward the beat, the catchy chorus, and the playful attitude. It's constructed as a major pop single, whereas Clown feels more like a personal statement. What I find particularly interesting is how much Clown relies on irony. Mariah never has to outright tell the listener that this man is pathetic. You figure that out on your own through the way she describes him. In Obsessed, the judgment is much more direct and explicit. Because of that, the songwriting feels less sophisticated and more like a reaction in the heat of the moment. Even vocally, the difference is significant. On Clown, Mariah uses a warm, controlled, and mature vocal performance. She sounds confident because she has nothing to prove. On Obsessed, the vocals become part of the attitude and humor of the track. The production effects and heavily processed sound fit the song's playful tone, but they also distract from what was once her greatest strength: her ability to carry a song through pure vocal expression. "Clown" is Mariah dissecting her opponent with subtlety, observation, and intelligence. "Obsessed" is Mariah publicly mocking that same opponent through a catchy pop hit. Or, to put it even more bluntly: "Clown" lets the listener discover why the man is a clown. "Obsessed" simply shouts it from the rooftops. And that's why I believe Clown is the stronger and more timeless song. (Monday 7 September 2026; 23:14)

Daydream (114,531) by karel from belgie For me, Daydream will always be the best album Mariah Carey has ever made. At that point, her voice was simply phenomenal: powerful, crystal-clear, velvety smooth, and at the same time incredibly fresh. Track after track, she sounded like she was at the absolute peak of her abilities. Fantasy was the first Mariah song that I later realized was actually hers. I was thirteen years old at the time. Now, 31 years later, I still think it's a fantastic song. Always Be My Baby comes in at a very close second for me. For many fans, Butterfly is Mariah's magnum opus, but for me, Daydream is the true masterpiece. Butterfly deserves all the praise it gets for its artistic freedom and personal growth, but vocally, Daydream stands on a higher level. On Daydream, you hear a singer who can do it all: the power, the agility, the range, the emotion, and that effortless clarity that very few artists have ever possessed. Butterfly may be the more personal and mature record, but the pure vocal magic of Daydream was never quite matched again. In addition, Daydream strikes the perfect balance between pop, R&B, and adult contemporary ballads. The album feels timeless and contains virtually no weak moments. While Butterfly is often admired for its artistic significance, Daydream still moves me more as a listener. The album also closes with one of Mariah's most personal and powerful songs, Looking In. In that song, she essentially describes herself as a caged bird in a golden cage, while making it clear that there is far more to her than the public image people see. Ironically, the song almost feels like a prelude to Butterfly, the album on which she finally spreads her wings. Don't get me wrong: Butterfly is an excellent album. But if I have to choose between Mariah Carey at her artistic turning point and Mariah Carey at her absolute vocal peak, I will choose Daydream every single time. It was also the era when she still had that natural "girl next door" appeal. Starting with Butterfly, the diva image gradually became more prominent. And however you look at it, she already possessed extraordinary class, charisma, and talent without all the extra glamour. (Monday 7 September 2026; 23:01)

New music (114,530) by karel from belgie I think Mariah needs to move away from the predictable, slow R&B sound. Some of her best tracks have always been the house and techno remixes, so why keep those styles limited to remixes? Why not make them the main versions of the songs? I'm currently listening to We Found Love by Rihanna and Calvin Harris, and honestly, I think Mariah could still pull off that kind of uplifting dance music. Her voice would work beautifully with that style. It also reminds me of Now That I Know from Music Box. That song was such a breath of fresh air and showed a different, more playful side of her artistry. And yes, I'm absolutely in favor of her finally releasing Someone's Ugly Daughter. That's the Mariah I miss: creative, adventurous, and willing to take risks. It's a shame she didn't release it alongside the Daydream anniversary celebrations. Imagine getting it as part of a Daydream 31 edition. Now that would have been something special. (Monday 7 September 2026; 22:49)

The new album (114,529) by Bobby A from United States I don't think MC will revisit the early stages of her career on a full album until at least the anniversary celebrations of her debut and Emotions album. She still has to release Somebody's Ugly Daughter and the demo tape too. (Monday 7 September 2026; 00:35) this is a reply to message 114,526

The new album (114,526) by Lainsky from Philippines Same here, anything that sounds different. Nonetheless, I would gladly accept a pop album like Music Box, should she choose to revisit the sounds from the early stages of her career. (Sunday 6 September 2026; 15:58)

The new album (114,528) by BFF from US Agreed. I feel like we are forever getting some attempt to recapture "Butterfly" or "The Emancipation of Mimi". HFIA was actually a bit of a break from that. Mariah hasn't worked with The-Dream in a while, so maybe he can help her come up with something fresh. (Sunday 6 September 2026; 21:27) this is a reply to message 114,524

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

The new album (114,527) by TJ from Norway I originally wrote the same abouts the boring so called RnB, but deleted it. So nice to see that others have the balls to say it out loud. (Sunday 6 September 2026; 21:16) this is a reply to message 114,524

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

The new album (114,526) by Lainsky from Philippines Same here, anything that sounds different. Nonetheless, I would gladly accept a pop album like Music Box, should she choose to revisit the sounds from the early stages of her career. (Sunday 6 September 2026; 15:58) this is a reply to message 114,524

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

The new album (114,525) by Bobby A from United States Would you take a 70s/80s house disco with samples and futuristic R&B album instead? Nostradamus Insider is reporting that MC has been in the studio with The-Dream for months crafting just that type of album. I guess MC knows that looking slimmer is going allow her to appear to dance and move more during performances with eight dancers around her. Lol. Anyway, I feel MC knows this is her chance to release something special. (Sunday 6 September 2026; 14:27) this is a reply to message 114,524

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

The new album (114,524) by Bill from the UK If Mariah is indeed releasing new music, please, please, please for the love of God and all that is holy do something different from the usual tired, boring R&B she's been pedalling since 1997. A jazz album, a covers album, a gospel album, a concept album, just anything other than "y'all know who this is", staccato sung ballads, and guest rappers. Please. (Sunday 6 September 2026; 12:14)

Article: Gorgeous Mariah Carey looks absolutely radiant (114,523) by TJ from Norway When are we to expect the new album? I'm so ambivalent about this news. On one hand she might make something I love, but I'm so afraid it will be another disaster. (Sunday 6 September 2026; 09:22) this is a reply to message 114,520

Article: Gorgeous Mariah Carey looks absolutely radiant (114,520) by Bobby A from United States Today we found out via personal trainer Terrance Michael Boston's Instagram why MC has been looking a lot thinner and gorgeous lately. Someone is preparing for a new album for sure. (Sunday 6 September 2026; 01:28)

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